Horizontal bar

The horizontal bar, also known as the high bar, is an apparatus used by male gymnasts in Artistic Gymnastics. It traditionally consists of a cylindrical metal (typically steel) bar that is rigidly held above and parallel to the floor by a system of cables and stiff vertical supports. Gymnasts typically wear suede leather grips while performing on the bar. Current elite-level competition uses a more elastic fiberglass core rail similar in material to the rails used in the women's uneven bars and men's parallel bars apparatus.

The gymnastics elements performed on the horizontal bar are regulated by a Code of Points. A bar routine, which is a sequence of several bar skills, usually includes giants with various grips (overgrip, undergrip, dorsal grip, mixed grip), in-bar work, turns, release and regrasp skills, and a dismount. The horizontal bar is often considered one of the most exciting gymnastics events due to the power exhibited by gymnasts during giant swings and spectacular aerial releases and dismounts that often include multiple flips or twists and, in some cases, airborne travel over the bar.

Cirque du Soleil

Cirque du Soleil (pronounced: [siʁk dy sɔ.lɛj], "Circus of the Sun") is a Canadian entertainment company. It is the largest theatrical producer in the world. Based in Montreal, Quebec, Canada, and located in the inner-city area of Saint-Michel, it was founded in Baie-Saint-Paul in 1984 by two former street performers, Guy Laliberté and Gilles Ste-Croix.

Initially named Les Échassiers ([lez‿e.ʃa.sje], "The Waders"), they toured Quebec in 1980 as a performing troupe. Their initial financial hardship was relieved in 1983 by a government grant from the Canada Council for the Arts, as part of the 450th anniversary celebrations of Jacques Cartier's voyage to Canada.Le Grand Tour du Cirque du Soleil was a success in 1984, and after securing a second year of funding, Laliberté hired Guy Caron from the National Circus School to re-create it as a "proper circus". Its theatrical, character-driven approach and the absence of performing animals helped define Cirque du Soleil as the contemporary circus ("nouveau cirque") that it remains today.

High

High may refer to:

Science, technology and economics

Music

Albums

Songs

Other uses

Cirque

A cirque (French, from the Latin word circus) is an amphitheatre-like valley formed by glacial erosion. Alternative names for this landform are corrie (from Scottish Gaelic coire meaning a pot or cauldron) and cwm (Welsh for "valley", pronounced coom). A cirque may also be a similarly shaped landform arising from fluvial erosion.

The concave amphitheatre shape is open on the downhill side corresponding to the flatter area of the stage, while the cupped seating section is generally steep, cliff-like slopes down which ice and glaciated debris combine and converge from the three or more higher sides. The floor of the cirque ends up bowl-shaped as it is the complex convergence zone of combining ice flows from multiple directions and their accompanying rock burdens, hence it experiences somewhat greater erosion forces, and is most often overdeepened below the level of the cirque's low-side outlet (stage) and its down slope (backstage) valley. If the cirque is subject to seasonal melting, the floor of the cirque most often forms a tarn (small lake) behind the moraine, glacial till or bedrock lip marking the downstream limit of glacial overdeepening of the basin, which serves as a dam at the outlet.

Circus

A circus is a company of performers that may include clowns, acrobats, trained animals, trapeze acts, musicians, hoopers, tightrope walkers, jugglers, unicyclists and other object manipulation and stunt-oriented artists. The term 'circus' also describes the performance which has followed various formats through its 150-year modern history. Philip Astley is credited with being the 'father' of the modern circus when he opened the first circus in 1768 in England. Early circuses were almost exclusively demonstrations of equestrian skills with a few other types of acts to link the horsemanship performances. Performances developed significantly through the next fifty years, with large scale theatrical battle reenactments becoming a significant feature. The 'traditional' format, whereby a ringmaster introduces a varied selection of acts that mostly perform choreographed acts to traditional music, developed in the latter part of 19th century and continued almost universally to be the main style of circus up until the 1970s.